{"id":3169,"date":"2015-06-09T20:31:33","date_gmt":"2015-06-09T20:31:33","guid":{"rendered":"https:\/\/analogalien.com\/?page_id=3169"},"modified":"2016-03-04T15:53:45","modified_gmt":"2016-03-04T15:53:45","slug":"press","status":"publish","type":"page","link":"https:\/\/analogalien.com\/press\/","title":{"rendered":"Press & Media"},"content":{"rendered":"

\"GP2015\"<\/p>\n

JUNE 2015 GUITAR PLAYER MAGAZINE EDITOR’S PICK – ALIEN BASS STATION<\/strong><\/span>
\nMichael Molenda<\/strong> of Guitar Player Magazine<\/strong> says, “Bass Station, my ass – this is one of the hippest analog multi-drive units for guitar<\/strong> I’ve ever plugged into. Though, yes, it was designed for bassists who complained that guitar effects can compromise low-end response, the Bass Station also uncorks brilliant guitar tones<\/strong>. Gotta love synergy. The soft-knee Limiter is subtle<\/strong> enough to impose minimal “drag” on your pick attack – which I liked – and with the Limit\/Comp and Sensitivity knobs down, and the Output knob dimmed, you get an awesome clean\/treble boost<\/strong>. I liked clicking it off to get down to a more vocalist-friendly volume for verses<\/strong>. The Amp Generator is based on vintage bass amps, but, man, this FET preamp can kick out some pretty sweet guitar sounds with growl, spank, and saturation<\/strong>. The most “bass optimized” option is the Gamma Fuzz<\/strong>, which produces a slight edge until you crank the knob to get into apocalyptic guitar madness<\/strong>. But the killer app is that you can deploy all three sections individually or simultaneously<\/strong>. I had tons of fun mixing and matching the gain stages, or letting it fly with everything firing off at once. This lime-green alien definitely brings sonic delight to earthling guitarists<\/strong>.”<\/p>\n

=====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====
\n<\/strong><\/center>\"30th<\/p>\n

2015 ROCK AND ROLL HALL OF FAME INDUCTION CEREMONY PERFORMANCE<\/strong><\/span>
\nOn June 10th, HBO<\/strong> aired the\u00a0the 2015 Rock and Roll Hall of Fame Induction Ceremony Performance<\/strong> that occurred on April 18th.\u00a0 Joe Walsh<\/strong> (The Eagles<\/strong>) played with our Alien Bass Station<\/strong> and Rumble Seat<\/strong> alongside Billie Joe<\/strong> (Green Day<\/strong>), Joan Jett<\/strong>, Sir Paul McCartney<\/strong>, and Ringo Starr<\/strong>.<\/p>\n

=====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====<\/strong><\/p>\n

\"The<\/p>\n

THE REWRITE STARRING HUGH GRANT AND MARISSA TOMEI<\/span><\/strong>
\nWorld-wide release in 2015, The Rewrite<\/strong> starring Hugh Grant<\/strong> and Marissa Tomei<\/strong> is a story about an Oscar-winning writer in a slump who leaves Hollywood to teach screenwriting at a college on the East Coast; where he falls for a single mom who is taking classes there. The movie featured music by Clyde Lawrence<\/strong> who used our Fuzzbubble-45<\/strong> on songs “So Damn Fast<\/strong>” and “One More Time<\/strong>.”<\/p>\n

=====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====<\/strong><\/p>\n

\"Nashville<\/p>\n

ABC NETWORK’S PRIME TIME TELEVISION SERIES NASHVILLE -SEASON 3<\/strong><\/span>
\n“This company has such a fantastic aesthetic and I just can’t wait to try the rest of their pedals.<\/strong>” – Colin Linden<\/strong>, after using our RumbleSeat<\/strong><\/p>\n

Our full line of pedals were featured throughout Season 3 of ABC Network<\/strong>‘s prime time hit NASHVILLE<\/strong>. Recently seen with Colin Linden, Sam Palladio, Charles Esten, Clare Bowen<\/strong> AND heard on tracks “Longer<\/strong>” and “That’s Alright Mama<\/strong>” from the show.<\/p>\n

=====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====<\/strong><\/p>\n

\"Bass<\/p>\n

SEPTEMBER 2014 FEATURE IN BASS PLAYER MAGAZINE – ALIEN BASS STATION<\/span><\/strong><\/p>\n

A superbly constructed multi-effect that offers a remarkably broad palette of warm, vintage-sounding tones in one easy-to-use stompbox.<\/strong><\/p>\n

Bass Player Magazine<\/strong> says “Seeking to make an all-purpose pedal with a bass-first approach, the ABS packs three popular effects into one relatively compact housing. Whether it’s the LIMITER, AMP GENERATOR, or GAMMA FUZZ, the ABS offers a diverse selection of straightforward sounds.” Read more here<\/a>.<\/p>\n

=====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====<\/strong><\/p>\n

\"Guitar<\/p>\n

JULY 2014 GUITAR PLAYER MAGAZINE EDITOR’S PICK – RUMBLE SEAT<\/span><\/strong>
\nGuitar Player Magazine<\/strong> says “This snazzy stompbox – which combines overdrive, delay, and reverb<\/strong> – was designed with rockabilly<\/strong> players in mind, but it can take you from there to just this side of metal with stops in classic, psychedelic, and hard rock<\/strong> along the way. The overdrive sounds fantastic as is very versatile. There’s tons of output on tap. Tone sweeps from super-dark to ultra-crispy with a luscious sweet spot in the middle<\/strong>, and Gain goes from subtle amp-like breakup to smoothly saturated sustain<\/strong>. The sounds are tight, clear, fat, dynamic<\/strong>, and there’s relatively little noise. The Delay has an old-school echo vibe<\/strong> (and hash to match on longer settings) with delay times from 25ms to 650ms. The Reverb was designed to emulate the tube-driven spring reverb in blackface Fender amps<\/strong>, and while that is a challenging standard, it does capture some of that flavor, and sounds wonderful<\/strong> in any case. The Rumble Seat comes with a VisualSound One Spot power adapter and a bright orange cooler bag carrying case.”<\/p>\n

=====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====<\/strong><\/p>\n

\"Stevie<\/p>\n

STEVIE WONDER PERFORMANCE FOR THE GRAMMY SALUTE TO THE BEATLES<\/strong><\/span>
\nOn February 3rd 2014, STEVIE WONDER<\/strong> used our Rumble Seat<\/strong> in his performance of “We Can Work It Out<\/strong>” at the 50th Anniversary<\/strong> special of The Beatles: The Night That Changed America<\/strong> televised feature aired on CBS Network<\/strong>.<\/p>\n

=====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====<\/strong><\/p>\n

\"Guitar<\/p>\n

JANUARY 2014 BOUTIQUE PEDALS IN GUITAR PLAYER MAGAZINE<\/span><\/strong>
\nMichael Ross<\/strong> writes, “One side of this dual pedal is a British-voiced overdrive that delivers the tight grit and crunch associated with vintage tube amps<\/strong> via a gain knob labeled Year, which travels from \u201967 to \u201977 with a corresponding increase in distortion<\/strong>. The other side\u2019s Fuzz Face-style effect is worth the price of admission alone: Its ability to vary the input level produced an amazing range of vintage sounds, from mild overdrive to exploding amp<\/strong>. Instead of tone knobs, a toggle on each side offers a low-mid boost, which seemed to be all that was needed to get cool tones with humbuckers or single-coils. I also found both circuits to be dynamically responsive to picking attack and guitar volume changes.<\/strong> Bottom line: If classic rock tones are your bag, this pedal requires a serious look.<\/strong>”<\/p>\n

=====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====\u00a0\u00a0\u00a0\u00a0 ===\u00a0\u00a0\u00a0\u00a0 =====<\/p>\n

\"StompThatBox\"<\/p>\n

A first look at the Analog Alien Fuzzbubble-45<\/strong> from Stomp That Box<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

JUNE 2015 GUITAR PLAYER MAGAZINE EDITOR’S PICK – ALIEN BASS STATION Michael Molenda of Guitar Player Magazine says, “Bass Station, my ass – this is one of the hippest analog multi-drive units for guitar I’ve ever plugged into. Though, yes, it was designed for bassists who complained that guitar effects can compromise low-end response, the …<\/p>\n

Press & Media<\/span> Read More \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"libsyn-item-id":0,"libsyn-show-id":0,"libsyn-post-error":"","libsyn-post-error_post-type":"","libsyn-post-error_post-permissions":"","libsyn-post-error_api":"","playlist-podcast-url":"","libsyn-episode-thumbnail":"","libsyn-episode-widescreen_image":"","libsyn-episode-blog_image":"","libsyn-episode-background_image":"","libsyn-post-episode-category-selection":"","libsyn-post-episode-player_use_thumbnail":"","libsyn-post-episode-player_use_theme":"","libsyn-post-episode-player_height":"","libsyn-post-episode-player_width":"","libsyn-post-episode-player_placement":"","libsyn-post-episode-player_use_download_link":"","libsyn-post-episode-player_use_download_link_text":"","libsyn-post-episode-player_custom_color":"","libsyn-post-episode-itunes-explicit":"","libsyn-post-episode":"","libsyn-post-episode-update-id3":"","libsyn-post-episode-release-date":"","libsyn-post-episode-simple-download":"","libsyn-release-date":"","libsyn-post-update-release-date":"","libsyn-is_draft":"","libsyn-new-media-media":"","libsyn-post-episode-subtitle":"","libsyn-new-media-image":"","libsyn-post-episode-keywords":"","libsyn-post-itunes":"","libsyn-post-episode-itunes-episode-number":"","libsyn-post-episode-itunes-season-number":"","libsyn-post-episode-itunes-episode-type":"","libsyn-post-episode-itunes-episode-title":"","libsyn-post-episode-itunes-episode-author":"","libsyn-destination-releases":"","libsyn-post-episode-advanced-destination-form-data":"","libsyn-post-episode-advanced-destination-form-data-enabled":"","libsyn-post-episode-advanced-destination-form-data-input-enabled":false,"libsyn-post-episode-premium_state":"","libsyn-episode-shortcode":"","libsyn-episode-embedurl":"","_mo_disable_npp":""},"yoast_head":"\nPress & Media - Analog Alien<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/analogalien.com\/press\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Press & Media - Analog Alien\" \/>\n<meta property=\"og:description\" content=\"JUNE 2015 GUITAR PLAYER MAGAZINE EDITOR’S PICK – ALIEN BASS STATION Michael Molenda of Guitar Player Magazine says, “Bass Station, my ass – this is one of the hippest analog multi-drive units for guitar I’ve ever plugged into. 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